- Ideas don't come from watching television
- Ideas sometimes come from listening to a lecture
- Ideas often come while reading a book
- Good ideas come from bad ideas, but only if there are enough of them
- Ideas hate conference rooms, particularly conference rooms where there is a history of criticism, personal attacks or boredom
- Ideas occur when dissimilar universes collide
- Ideas often strive to meet expectations. If people expect them to appear, they do
- Ideas fear experts, but they adore beginner's mind. A little awareness is a good thing
- Ideas come in spurts, until you get frightened. Willie Nelson wrote three of his biggest hits in one week
- Ideas come from trouble
- Ideas come from our ego, and they do their best when they're generous and selfless
- Ideas come from nature
- Sometimes ideas come from fear (usually in movies) but often they come from confidence
- Useful ideas come from being awake, alert enough to actually notice
- Though sometimes ideas sneak in when we're asleep and too numb to be afraid
- Ideas come out of the corner of the eye, or in the shower, when we're not trying
- Mediocre ideas enjoy copying what happens to be working right this minute
- Bigger ideas leapfrog the mediocre ones
- Ideas don't need a passport, and often cross borders (of all kinds) with impunity
- An idea must come from somewhere, because if it merely stays where it is and doesn't join us here, it's hidden. And hidden ideas don't ship, have no influence, no intersection with the market. They die, alone.
Thursday, November 25, 2010
Via Seth Godin
Friday, November 19, 2010
Via Think Splendid
Shall leave you with some wise words from Liene:
"amateurs add, professionals edit"
Ciao, wishing all readers a fun weekend!
Thursday, January 21, 2010
Integrity, An Excerpt
The problem with operating without integrity is that the result (positive or negative) is never really yours. If you blindly take another’s collateral – her pricing information, packages, marketing materials, blog posts, images, ideas, etc. – you can never really be sure that it is you your clients are really hiring. While you might be able to live with it in the short run, the lie will get you in the end. The spirit of creation and individualism behind any artist and their creative business simply will not permit being derivative forever. And to go down the path of being dishonest can do nothing but destroy your own sense of self. Hard to produce great work when the confidence in having faith in who you are and what you are about is gone.
Although we seem to be recovering from the trauma of last year’s economic events, the air of uncertainty remains. In that air, the temptation to copy (i.e., steal) from someone else, do business that is not right for you or lower your standards (i.e., prices, product quality, clientele) for the sake of the business is remarkably alluring. It IS harder to stay true to yourself and your art and work to see what opportunities will present themselves during this time of transition. However, if you can know, really know, that losing your integrity will make you myopic, the choice might not be that difficult.
Thursday, December 24, 2009
Moment Jars & TeuxDeux
another awesome application - a to-do list! it's clean, stylish and very user friendly. what i like about this is that it's uncluttered and gives you a very clear picture of what's done and what needs to be done. apparently they are working to create iPhone and Blackberry apps =) registration process is 2 seconds long, another plus point!
Wednesday, December 09, 2009
Happy Lady Eats
Tuesday, October 27, 2009
Le Divan Fumoir Bohemian
Tuesday, October 20, 2009
The Flourish Collection
Friday, October 16, 2009
Jo Gets Married
if you have not been reading A Cup of Jo (why haven't you?!), let me tell you she has graciously shared with readers her wedding planning journey for months. the more i look at her pictures, the more ways i think of saving enough moolahs to fly max wanger over to singapore when it's my turn ;)
Thursday, October 15, 2009
Morning Digest
Everyone should be creative. Whatever your art is, it should invigorate you and bring you joy. And if it happens to be your business, it should bring you the money you need to keep being creative - Sean Low
Sunday, May 24, 2009
Lovely Layers
Sunday, November 23, 2008
Self Declared Break
Friday, October 24, 2008
An Excerpt
We Only Want Approved Creativity
That was a long speech, and I will not be able to talk about all of it at one go. One bit stood out for me though, when PM Goh talked about The Creative Society.
While I agree with the need to have a creative society to attract the best to set up shop here, I am afraid it doesn't quite work that way, wanting to see a society where creative energy is only channelled to positive and non-idle pursuits. A truly creative society that buzzes and thrives is one where you accept not just the Norio Ohgas, the Jack Neos, and the George Lucases, but also the public pubic hair snippers, the Catherine Lims, and the manglers of national songs.
Which society wouldn't want the artsy fartsy creatives and the high-tech geniuses? But the fringe types come with the territory. Some of them even express political dissent, have alternative sexual preferences, and consume contraband substances (I am not talking about chewing gum here).
And if Holland Village, Siglap, and Club Street are the best examples we can come up with as Little "Bohemias", we are in more trouble creatively than we think. Holland Village is this expat/yuppie hangout with overpriced food and bad parking, hardly a place of bohemians doing their creative stuff.
We replaced hawkers with food courts — witness the kind of food that exercise gave us. You cannot manufacture Food courts of Bohemia the way you plant instant trees along the ECP.You cannot buy creativity. You cannot spend a whole lot of money on two durians and say, look, we now have art and culture. Look, Singapore is now a Nexus for the Creative. Now we are truly like Sydney with their Opera House, and London with their National Gallery. Sorry, not even close.
Art and culture come from people, not from buildings. People like Singapore's most famous potter, Iskandar Jalil, who was forced to dismantle his gas-powered kiln of 43 years, that he had been using to fire all his works. Because of a neighbour's complaint (ahem, public feedback), the SCDF told him to dismantle it as the three 50kg gas cylinders exceeded the home limit of 30kg. When you break the spirit of an artist,and make him cry, by hiding behind the convenience of public feedback and fire safety regulations, no amount of talk will convince the global creative community that your society welcomes them, no matter how many Esplanades or Little Bohemias you build. If you screw your own, what makes you think foreigners will believe you when you say you welcome foreign talent?
Peter Hartcher, commenting on the farcical Speaker's Corner, wrote that Singapore has the "emblems of a liberal democracy without its substance" and "has all the
mechanisms of a democracy without the liberal values which give them meaning".
We seem to be the same way with creativity. We are keen to acquire the emblems of a creative, artistic and culture-rich society without its substance, and we have all the mechanisms of a creative society without the values of free expression which give them meaning.
And in the end, all we have to show for it are architectural white elephants and psuedo-enclaves that echo with proclamations of art and culture, while the potter weeps over his broken kiln.
Wednesday, August 27, 2008
Orwell Online
Orwell’s ‘domestic’ diaries begin on 9th August 1938/2008; his ‘political’ diaries (which are further categorised as ‘Morocco’, ‘Pre-war’ and ‘Wartime’) begin on 7th September 1938/2008.
This is another brilliant blog idea - do check it out daily here!